“I am one of the few owners of an audiovisual production company who gave importance to archives,” said Richard Sénécal. At a time when most producers were focused on immediate broadcast, he was already thinking about the future.
“We always preserved those tapes. It was one of our concerns despite the additional cost it entailed,” he testified.
In 2010, the earthquake that devastated Haiti also destroyed part of the audiovisual heritage. Worse still, when trying to f
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