ll"Carole, Leoganèz lan!" (Carole, the Léogânaise, in Kreyòl), exclaims the gleaming cover of Carole Demesmin’s fifth album. It’s the presentation of this latest work which spurred the events of November 28 at the entrance of the Consulate of Haiti in Montreal. In the tiny rooms decorated with paintings and other Haitian motifs, guests clink glasses awaiting the arrival of the diva on her promotional tour in Montreal. Natural hair cascading down her back, face radiant, she whose voice has been compared to Martha Jean-Claude, Toto Bissainthe, Lu
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