As far back as he can remember, compas music was always present. From a very young age, he was around Fritz “Fito” Boucan, his mother’s first cousin and a close friend of Nemours Jean-Baptiste. In his home, compas was a central topic of discussion. It echoed through the house. It had a place of honor.
Drawn to music, Eddy Renaud recalls climbing walls to sneak a peek at the rehearsals of “Les Chèlbè,” a popular band from Canapé-Vert. However, at first, his family
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