On a weekday, around the year 2005, Georges Corvington came to the offices of the daily newspaper Le Nouvelliste, on Rue du Centre, to request a meeting with me.
We already knew each other. We used to meet at the book-signing events for his works "Port-au-Prince over the Years," which I attended willingly.
This time, it was he who came to see me, specifically to congratulate the team of Ticket magazine.
In simple words, the historian explained to me that the magazine provided him with a rare material: the pulse of festive,
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