The Haitian artist, internationally recognized for his paper sculptures, has installed “L’Océan de Léa,” which he transforms into an odyssey—an immersive exhibition in which the public moves through rooms as one follows an underwater current. Visitors rise gradually from the ocean depths and surface little by little. In this space, everything is light, suspension, silent volumes, and tactile poetry. “I am a paper sculptor,” Fritz Junior Jacquet states straightaway, in a simple voice,
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