Akinson Bélizaire, known as Zagalo, notes a shift in the economic model of compas music in the digital age. “Today, compas is a bit more profitable than it used to be for creators, thanks to the evolution of the music world and the rise of streaming. YouTube has become the radio for several generations. People consume music all day long on these platforms, which creates a certain level of profitability,” he explained.
However, he acknowledged that live performance remains a challenge. According
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