In the coming days, on the occasion of its 70th anniversary, people will be talking about compas, but much more is needed to give this musical genre the place it deserves in the great book of Haitian life. Much more.
Conducting a comprehensive study today on the urban dance music known as compas direct is difficult. There is no single place—no museum, no library, no archive—in the country where everything is cataloged and preserved. There are witnesses to parts of the rhythm’s journey, but age is
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